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Liz Snell lives on Vancouver Island, British Columbia. She studied writing at the University of Victoria and is now studying psychology. She works with adults with disabilities and in her spare time gardens, hikes, knits, and makes awful puns.
Ascent
The old guides don’t come cheap these days. So done with invocations, muses unionize and strike, while Virgil’s left for Portland to grow roses in the rain, ditched fire and love- lorn tourists gawking over the abyss. Here elements cancel themselves and I, tossed from pride to despair, become a yellow post-it note stuck halfway in a Russian novel no one’s finishing. What then? If I refuse to walk, just sit right here and munch potato chips, I’ll still have that long road after a thousand years of stubbornness. Don’t kick against the goads— but kicking is the only prayer I know. Who wouldn’t hike a billion years to find a crack of light, a fire that saves from fire by burning all that’s flammable? I’ll beg two minutes of eternity, solid as a brick chucked through God’s pane with a note scrawled, Notice me! Grab me a candle stub, a flashlight short on batteries, whatever’s left downstairs. To show you I’m in earnest, I’ll accept the crumbs of Paradise. Don’t mind me, grown a little thick around the waist, the skin a little loose across my hands, not young but not yet old. The kind of soul he’d miss, the driver of the Grey Town bus. I blend with everything and yet remain alone. Come in! they said. I asked them, Turn the key. They may have tried, but something’s rusted fast in me, in me. Soft grass blisters my feet. Becoming real after the wooden nose, the hide of velveteen, worn down by care or wandering, requires the fairy touch. And how real do I want to be? What self, once fleshed, once touched, once seen, is ever free?
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Good stuff, Liz!
Oh this is so lovely!