Luci Shaw: A Poet Remembers Her Mentor
by Dawn Morrow
Luci Shaw, poet, author, publisher, and friend of the Rabbit Room died on December 1, 2025 at 96 years old. Luci was the author of more than 30 books of poetry and prose. Dawn Morrow, a Rabbit Room poet wrote this reflection upon the passing of her friend and mentor.
As I sit down to write, I remember the words of the email Luci Shaw sent me when I was lamenting the long, hard grind of writing poems:
I’ve been doing this for the last fifty years and it gets no easier. Patience and grit and intense attention to the realities of living and creating set us on a stony path. Now and then a glimmer of light.
Do not stop what you are doing! Read lots of good poets. Keep the writing going. Your poems speak to the realism of our strange universe and God is there at the heart of it.
Someone once told me writers should imagine their audience and write to them. When I write, Luci Shaw is in the front row.
The first time I met Luci, I knew two things about her:
1. She was a writer of poetry I had never read, and
2. Madeleine L’Engle had been her best friend.
She was the keynote speaker at the Rabbit Room’s 2014 Hutchmoot. Though she only needed to be there for the keynote, she asked to attend the entire weekend and by some fluke, I ended up sitting next to her at dinner. I couldn’t tell you the content of our conversation, but I do know for sure that I was surprised and delighted when Luci pulled up the sleeve of her shirt and revealed the fairly fresh tattoo on her upper arm. I can say for certain that Luci colored that conversation with wit and light because that’s who she was.
Two years later, at Calvin College’s Festival of Faith and Writing, I heard that Luci Shaw and Jeanne Murray-Walker would be leading a poetry workshop in Kodiak, Alaska. “I guess I’m going to Alaska,” I said to the friend next to me. And I did.
That week Luci became my mentor and my friend. She spent most of our workshops knitting, pausing occasionally to look up and deliver brilliant, incisive critique to the poet in the hot seat. Eventually she turned that bright mind (not to mention those bright eyes) of hers on me:
“You are a poet,” she told me. “You’re a one-trick pony right now, but you can learn more tricks.”
Some years later, I was preparing to graduate with my Master of Fine Arts, and I sent Luci some of my recent poems. “Look!” I wrote, “I’m not a one-trick pony anymore!” She responded, “You’re right! You’re not a one-trick pony anymore! Now you’re a one-trick horse!”
Luci never pulled a punch in her critique, but she delivered it with deep love and care for my work. Her support was unwavering. She came to my MFA graduate reading and graduation. Although she knew a number of people affiliated with the program, I heard her tell more than one person, “I’m here for Dawn!” Later, she encouraged me to put my first book together and wrote the first endorsement.
But I am not the only one to encounter Luci like this. She engaged with each piece with the same generous attention and grace, and any writer who met her would tell you the same.
Luci Shaw was in her 80s when I met her but she was never old. I will miss her energy. I will miss her wisdom. I will miss the way she spoke so tenderly about her first husband, Harold, and her fierce devotion to her second husband, John. I will miss her laughter and her hugs and hearing her British accent calling my name across a parking lot because it’s the first time we’ve seen each other in a while.
In grad school we considered the idea that poets are in dialogue with each other across generations, batting ideas back and forth like children with a balloon. Luci will continue to be one of my best dialogue partners. I hear the echoes of her voice in my poems and I am so deeply grateful for the time I had with her.
Sounds Like Lace
by Dawn Morrow
When Luci wrote of the ebbtide: sounds like lace, I thought of early mornings, shorefront, bare feet on wet sand, my uncles on the pier casting lines or pulling up crab traps full of clicking claws we’d throw in a pot of boiling water ‘til they came to the color of the sun on the bay side of the island. This year seems like the tide has gone out so far, it’s uncovered all the lost things swept to sea: seaweed tangled in rusted gears; a mangled mess of crushed-up shell, remains of seagull snacks; and here and there, the bright blue glint of sea glass, edges worn smooth, frosted by years of tides, the water swaying like a woman who dances to the memory of a song she used to know.
Dawn Morrow is a poet and author who holds an MFA from Seattle Pacific University. Although she also holds a BS in Engineering from the University of Iowa and an MBA from UNC–Chapel Hill, she’s a Jersey Girl at heart. When she’s not writing, you can find her stage-managing musicals at a local theater. Her poetry has appeared in Molehill, vol. 5, published by Rabbit Room Press, and in SLAB Literary Magazine.



Already a fan, I met Luci Shaw once, at an open mic evening at the Glen in Santa Fe. She sought me out and told me that she “really liked” my poetry. This meant so much to me, especially since it followed a poetry workshop where the poet who was leading had made a point of telling me that I was “an encouraging mother-figure” to the poets in the workshop. He liked the comments I made. This was feedback that I have gotten in various contexts over the course of my life. I am the mother of six creative people. However, this was a week I had taken to try and cultivate my own work. I can’t tell the whole story here, but Luci Shaw, who knew nothing of the experience I was having in my workshop, lifted my crestfallen head that evening.
Committed to the Anecdote
—an epitaph for Luci
As if, by extreme adherence
To the radiant stuff of this
Our denotative life, she might
Observe her words exceeding what
It was that first attracted her
Keen, trusting curiosity
To the modest scene, upon which
Her every faculty focused
A never-to-be-quenched desire.